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| Volume 1, Number 1: 18th-Century London
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| Music | George Frideric Handel (February 23, 1685April 14, 1759) | |
![]() | George Frideric Handel is best known today as a composer of operas, orchestral music, and oratorios. Born in Germany, he played organ, studied, and composed in Germany, Italy, and finally England, where he settled and became a British subject in 1727. Brilliantly successful in his own time, especially with his operas and oratorios, his works dominated the musical world for more than 100 years after his death and are often performed today by orchestras, choirs, and early-music groups. | |
| Handel | Visit the Stacks page to find books and other resources on Handel. |
| Major Works* |
| 1705 | Almira (Italian opera) | |
| 1711 | Rinaldo (Italian opera) | |
| 1717 | Water Music (orchestral suite) | |
| 1724 | Giulio Cesare (Italian opera) | |
| 1727 | Zadok the Priest (English coronation anthem) | |
| 1733 | Orlando (Italian opera) | |
| 1738 | Serse (Xerxes) (Italian opera) | |
| 1739 | Saul; Israel in Egypt (English oratorios) | |
| 1742 | Messiah (English oratorio) | |
| 1743 | Samson (English oratorio) | |
| 1747 | Judas Maccabeus (English oratorio) | |
| 1749 | Music for Royal Fireworks (orchestral music); Solomon (English oratorio) | |
| 1752 | Jephtha (English oratorio) |
| *Because Handel was so incredibly prolific, this table can show only some of his most famous works. To see an exhaustive listing of Handels compositions, click here. To listen to a sampling of Handels music, click here. |
| Some Musical Contemporaries | |
| Baroque*: Handels contemporaries in the baroque style include the German organist and composer Johann Sebastian Bach (Brandenburg Concertos, Toccata and Fugue in D minor), German composer and close friend Georg Philipp Telemann (prolific composer of operas, cantatas, orchestral suites, chamber music, and concertos, including Concerto in G Major for Viola and String Orchestra), and Italian composer and virtuoso violinist Antonio Vivaldi (The Four Seasons). Classical*: As Handel neared the end of his career, a new style of music was emerging. The German classical composer Christoph Willibald von Gluck (ballet Don Juan and opera Orfeo) met Handel in London in 1745. At the time of Handels death, the classical composer Franz Joseph Haydn (Surprise and London symphonies) was just beginning his public career; the prodigy Wolfgang Amadeus Mozart was three years old. *Baroque music is marked generally by use of complex forms, bold orna- mentation, and the juxtaposition of contrasting elements often conveying a sense of drama, movement, and tension. Classical music is characterized by an emphasis on balance, clarity, and moderation. (Both definitions from the Merriam-Webster online dictionary). |
| What I Love About George Frideric Handel | |
| Dedication to his calling: Despite Handels obvious musical talent, his father did not want him to be a musician. Handel smuggled a small keyboard into the family attic so he could practice. Later, when his father insisted he study law, Handel simultaneously continued his music studies. Artistic vision: When the English public began turning away from ornately serious Italian operas and toward more popular works (such as John Gays Beggars Opera), Handel gave them the oratorio. His oratorios used beautiful music and English-language singing to portray sacred themes and stories, without the dramatic staging associated with opera. |
| What I Love About Handels Messiah | ||
| I think the Sinfonia of Messiah is one of the most sublime pieces of music Ive ever heard. Of course the Hallelujah chorus is the most famous, but it is also a kick to sing. There is both solemnity and joy, a reverence. |
| Cant Get Enough of Handel? | |
| Baroque Music Handel House Museum NPR Music Handel is the greatest composer who ever lived. I would bare my head and kneel at his grave.Ludwig van Beethoven |
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